My work exists at the intersection of fine art photography and digital painting, dissolving the boundaries between what is captured by the lens and what is created by the hand. Each piece begins with original photography—often organic, architectural, or environmental in subject—and evolves through a meticulous process of digital hand-painting. The result is not a photograph altered, but a new hybrid artwork: part documentation, part emotional abstraction.

I am drawn to the duality of technology and tradition, realism and reinterpretation. Through layering, erasure, and reimagining surface textures, I transform photographic elements into compositions that explore memory, perception, and the shifting nature of visual truth. In this process, I paint digitally much as one would paint on canvas—intuitively, deliberately, and with attention to the gesture of mark-making.

My work invites the viewer to inhabit a space where photography no longer serves merely as record but as raw material for expressive transformation. The finished pieces are portals—echoes of the real world reframed through a contemporary, painterly lens.